Showing posts with label HONK. Show all posts
Showing posts with label HONK. Show all posts

Saturday, February 13, 2010

Ducks and Frogs and Geese, Oh My!


by Mary ElizaBeth Peters
Teaching Artist at WFT blog contributor




When you look for a play that the whole family will enjoy, you look first to Wheelock Family Theatre. WFT is known for creating plays that are not only enjoyable to young kids – as young as three! – but to entire families. WFT simply does not believe in staging plays that are “just for the kiddies,” and they go overboard to make sure their dance, comedy and acting styles are truly inclusive to every person who comes through the door. Because of this commitment – everyone comes through the door.

That being said, I entered the opening night performance of Honk! with some trepidation. WFT usually plans a season that has a play for each child age group: lower elementary; upper elementary; middle and high school. However, the young show doesn’t usually go that young. I was not that intrigued by the idea of this simple story. And to be brutally honest, Honk! is sort of known for turning out poorly. The script by Drewe and Stiles is simply not that strong.

To my surprise, I was entertained from start to finish, not only by the performance of Honk! itself, but by the WFT experience at opening night. It was wonderful to read the bios of young WFT actors, as well as seasoned professionals, and see them work alongside one another. I felt a giddy feeling in my stomach for my former students when I saw each of them onstage, knowing that the experience alone of being in professional rehearsals will affect them as actors second and as young emotion-filled human beings first.

The production is visual dazzling – the colors and textures in the set and lighting design envelope you into the story. You are in the story book of young Ugly Duckling, and able to follow him on this visual journey as the play progresses.

The casting was quite impressive, incorporating actors in age from elementary school to retirement, and containing an ethnically diverse cast as we have come to take for granted at WFT. I can honestly say that performances were strong throughout the cast, and particularly from the young dancers, who made their performances as fish, frogs and chickens seem effortless. Jane Staab directed, and her choice to have the actors-as-animals play more human, than animal, worked well for me. Young audience members did not seem confused at all and the story was made clearer without hammy animal accents or cheesy indicative motions. The actors, instead, worked to represent their animal selves through subtle gesture and a way of walking, running, or dancing. In this way, their movement was fluid and beautiful in its storytelling.

The audience audibly gasped and murmured seeing the beautiful set reveal at the top of the show, and following each set change. Matthew T. Lazure’s set design, and particularly his choice of color and texture, was beautiful, silly, and left a lot for the audience to visually explore throughout the production. His attention to shape was impeccable, as well. The part of my drama teacher mind that still works like a five year old was entertained finding the stars and triangles throughout the design. The Duckling eggs alone gave me a shape-shifting giggle. Without ruining their surprise use onstage, I will say that seeing the ducks put on their dancing feet first was a silly, energizing choice that still makes me chuckle to remember.

Cheo Bourne was excellent as Ugly, and this young professional actor was a great example to his younger fellow actors backing him up. His timing was wonderful, his speaking voice and articulation were clear, and his emotional journey was both heartwarming and on-par with the intended audience for this production. Stealing the show – Greylag, or the General Goose, played by Scott Severance. He cracked me up, and had the audience rolling. Just when you thought their antics could not get any more ridiculous, Gary Thomas Ng would one-up the group and we would be in stitches again.

Once again, WFT delivers a top-notch production from beginning to end that will be sure to delight audiences throughout the run! In particular, I encourage every WFT drama student and Wheelock College future educator to take in this show!

Monday, February 8, 2010

HONK in Theater Mirror


Just Ducky at Wheelock
By Beverly Creasey

George Stiles and Anthony Drewe’s cheeky barnyard musical, HONK! (based on Hans Christian Anderson’s “The Ugly Duckling”) is getting a high flying production at Wheelock Family Theatre (playing through Feb. 28th)

Director Jane Staab’s energized cast includes some of Boston’s top performers—working side by side with a passel of talented kids as fish, ducklings, and assorted fauna. The musical will appeal to children for its silly antics but adults will find it refreshingly irreverent… and vegetarians (like me) will be overjoyed with its pro-animal stance: All the creatures on the farm know that “people are bad news!” Poor Mayor Turkey (Gary Thomas Ng) is positively phobic over the thought of Thanksgiving.

Aimee Doherty is sublime as the doting mother duck who produces a brood which includes an odd looking, oversized hatchling. She refused to give up on him because he’s different, even though everyone else disapproves, especially her less than helpful husband (Mark Linehan). Doherty can break your heart with a weepy like “Every Tear a Mother Cries” and triumph with a transcendent mother and child reunion.

Cheo Bourne is magnificent as the exuberant signet mistaken for a duckling. There are several show stopping numbers in HONK! but Bourne’s gorgeous love song about another swan, “Now I’ve Seen You” will leave you breathless.

Scott Severance and company strut the heck out of a hilarious “Wild Goose Chase” and Peter Carey has a hopping good time as a saucy song and dance frog. Sarah deLima makes a grand dame of a fowl, Jaime Montessano a magnificent lap cat and Brian Richard Robinson a nasty tomcat of a villain (who croons the Sondheimish “Play With Your Food”). Music director Jon Goldberg gets terrific singing from the whole menagerie. I was worried that the smallest of audience members might get restless in the long first act but I heard nary a “peep!”

HONK! HONK! HONK!

BOSTON: Talking Broadway
Regional Reviews by Matthew Small

"The Ugly Duckling" sings and dances his way into our hearts in a rousing Wheelock Family Theatre production of Honk! at Wheelock College. Created in 1993 by Anthony Drewe (music) and George Styles (lyrics and book), the musical is not only a delight for children, but also entertaining and engaging for the grown-ups.

Director Jane Staab has assembled a team of designers and actors who deliver a delightful fairytale world. Matthew T. Lazure's fantastic storybook illustration-inspired set is magically illuminated and chromatically transformed by Scott Clyve's lighting design. Dustin Todd Rennells delivers dozens of rich, colorful costumes for the personified animals on the stage.

The cast of Honk! creates a dynamite ensemble whose talents match the flair of the Olivier Award-winning material. There are many feathered friends, foes and family members of Ugly, the little bird born from an egg unlike any the ducks have seen before. Along with the barnyard fowl, the story includes fish, turtles, cats and other creatures Ugly meets while he is lost and searching for his mother. The adult ensemble's comedic timing is tight, while the children's chorus is endearing—especially during the finale ultimo.

Aimee Doherty and Cheo Bourne lead the flock. Doherty portrays Ida, a mother duck determined to maintain normalcy for a son who is born looking different than his brothers and sisters. If only everyone could have a mother so kind—and so talented. As Ugly, Bourne glows with a remarkable, inward resilience, despite the ridicule he receives for his otherness. Boston producers should plan to witness Bourne's commanding song-and-dance performance before casting their shows for next season.

Wheelock Family Theatre maintains a wonderful commitment to expand beyond audiences of privilege. With Honk!, the company offers closed captioning, sound enhancement devices, sign language interpreters for select performances, low ticket prices throughout the run, and an incredible cast of diverse races and ethnicities. This is the way theater should be.

Honk! roosts in Boston for a few weeks only, so plan to take your kids (or some that you borrow) to the Wheelock Family Theatre, 200 The Riverway, before February 28.

Tuesday, January 19, 2010

HONK! the rehearsal







The Duck Family with Amy Doherty, Emily Pinto, Lauren Tempesta, Drew Hawkinson, and Jimmy Larkin










Bullfrog (Peter Carey) and Ugly (Cheo Bourne)








Cheo Bourne as the "Ugly" duckling and Brian Robinson as the Cat

Monday, November 30, 2009

HONK! HONK! HONK!


HONK! for Savings!

HONK! for Gifts!

HONK! for Birthday Parties

HONK! for Pajama Parties!

HONK! for Families!

HONK! for supporting Boston's professional, affordable Theatre for all generations!

HONK! January 29 - February 28