Like slimy bogs and fusty fens,
Thrill me” –William Steig (from Shrek)
“Shrek” was the first, one of the many children’s picture
books, artist William Steig wrote and illustrated. Then Shrek became a
DreamWorks movie followed by a Broadway musical. And now tonight, “Shrek the
Musical” is the final production of the Wheelock Family Theatre’s 34th
season. And what a brilliant opening night performance it was. Directed by
Shelly Bolman, choreographed by Patricia Manalo Bochnak, musical direction by
Matthew Stern, and costume designer Charles G. Baldwin worked together to
create a production filled with dazzling entertainment. There were dance
numbers to get you stomping your feet, comedy for all ages, solo singing, and
vibrant choral numbers, songs mixed with dance numbers, all tucked together
with simple movable sets. Whether in book, film, or theatrical presentations,
the story of Shrek remains the same. It is an ugly duckling tale (with a
twist), an ogre named Shrek wants to be a left alone in his swap. Farquaad (the
current ruler, but not yet King) is a self- impressed bully, who orders Shrek
to rescue the princess Fiona so he can marry her and the become King. Battles
with fire breathing dragons and “Donkey’s” wisdom, give heart to this endearing
and satisfying story. The tale promotes diversity and encourages more than
superficial thought when we are asked to consider what makes a princess and
what characteristics her suitor should have. The story encourages us to
celebrate who we are and how we do it. To look beyond the assumptions we make
when judging ourselves and others.
Experienced talented actors, Christopher Chew (Shrek),
Shonna Cirone (Fiona), Maurice Emmanuel Parent (Donkey), Mark Linehan
(Farquaad), set the tone by their strong performances. The smaller characters
roles of Young Shrek, Young and Teenage Fiona, Thelonius, Bishop, Mama Ogre,
Papa Ogre, King Harold, and the Knights did superior work as well, often
playing more than one part.
Shrek the Ogre just wants to be left alone in his swamp and
has no interest in having fairytale trash living next to him. The “Fairytale
Trash” community of creatures are easily recognized as the characters from
Grimm’s fairytales, old cartoons, and Disney movies: Pinocchio, Papa Bear, Mama
Bear, Baby Bear, Fairy Godmother, Red Queen, Bluebird, Genie, Little Red Riding
Hood, Chip, The Teacup from Beauty and the Beast, Ariel, The Three Blind Mice,
The Three Little Pigs, Ugly Duckling, Queen Lillian, Wicked Witch, Captain
Hook, Pied Piper, Big Bad Crossdressing Wolf, Ginny and Peter Pan. The costumes
were made with bright dazzling colors that allowed the audience to easily
recognize the familiar characters. And a variety of jokes are enhanced by the
audiences past history and knowledge of fairytale creatures.
The live 8 man orchestra including keyboard, 2 reeds,
trumpet, trombone, guitar, bass, and drums sat under the stage and was
first-rate.
The use of puppets was captivating when eight puppet
handlers maneuvered the dramatic giant Dragon that towered, twisted, and turned
majestically over the stage. The handlers moved as one and actually danced with
the flow of the Dragon’s swirling body from the fire coming out of her mouth to
the tip of her long pointy tail. Hand puppets were used too. Funny scenes
involving the torture of the Gingerbread Man were hilarious. The Gingerbread
Man cookie puppet ends up shouting, “Eat me!” and the audience roared.
Young children in the audience seemed to be smitten and
enthralled by the sparkles, glitter, and energy of the evening. Unobtrusive
open captioned, by illuminated lighting on both sides of the stage, aided in
the enjoyment for those hard of hearing and deaf. Each production offers final
weekend performances that are interpreted in American Sign Language and
audio-described for patrons who are blind, with Braille programs available upon
request. All productions offer enhancements for patrons with cognitive
disabilities or sensory sensitivities. Everyone should partake, and savor the
fun in this delightful show.
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